To be fair, P was positioned as the head of the label and the biggest star, something we hated Birdman for trying years later, and while I didn't like the method P took either, his formula worked, though this double album had a bit too much filler.
OUTKAST STANKONIA TPB MOVIE
With that, P created a huge event album with a movie of the same name to accompany it. The label was making a ton of money and creating music in their own studios and with their own producers and appearances only from the stars of the label. Let's get into it, shall we (a few hard to find releases will be left off for obvious reasons and we won't include the soundtracks and some of the compilations)? That's not a diss either, it's just the company itself went through restructuring and changes that 2003 would be the last time it was really recognized as such. Today, we talk the discography of No Limit Records from 1991-2003, as 2003 is considered the final year of true relevance. What followed was a long string of releases that would captivate the Bay Area, then New Orleans, then the whole world. Couple that with the unfortunate death of his brother and P was focused.
Though P was entrenched into the Bay Area at the time and utilized the area to grow his name, his heart was always at home in New Orleans, where he was born and raised. Gifted with a natural intuition to hustle and a incomparable work ethic, P set out to grow his company, armed with a group of artists from that same Bay Area and from New Orleans. The entrepreneurial spirit of Percy "Master P" Miller helped launch the brand, distributing his records throughout the Bay Area in California, where he resided with his mother. When No Limit was founded back in 1990/1991 by Percy Miller, no one could have imagined what it would turn to.
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